French Baroque Era Painter, 1659-1743 .was a French baroque painter of Catalan origin whose career was based in Paris. He is renowned for his portrait paintings of Louis XIV, the royalty and nobility of Europe, and members of their courts. Rigaud was born Jacint Rigau i Ros -- though in many encyclopaedias is "re-christened" with the name of H??acint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau -- in Perpignan, which became part of France by the Treaty of the Pyrenees (7 November 1659) shortly after his birth. In 1682, he was awarded the Prix de Rome. He was the most important portrait painter during the reign of King Louis XIV. His instinct for impressive poses and grand presentations precisely suited the tastes of the royal personages, ambassadors, clerics, courtiers, and financiers who sat for him. Because Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions. Rigaud was a master of the Baroque style of art. Rigaud's best-known work is his 1701 painting of Louis XIV which today hangs in the Louvre in Paris, as well as the second copy also requested by Louis XIV that now hangs at the Palace of Versailles. In 1709, he was made a noble by his hometown of Perpignan. In 1727 he was made a knight of the Order of Saint Michael. Rigaud died in Paris in 1743 at the age of 84.  Related Paintings of RIGAUD, Hyacinthe :. | Portrait of Phillippe de Courcillon | Portait of Count Sinzendorf | Portrait of Louis XIV | Everhard Jabach | Portrait of Louis XIV gfj |
Related Artists:
Jean-Baptiste Perronneau
(Paris, c. 1715 - Amsterdam, 19 November 1783) was a French painter who specialized in portraits executed in pastels. Perronneau began his career as an engraver, apparently studying with Laurent Cars, whose portrait he drew, and working for the entrepreneurial printseller Gabriel Huquier, rue Saint-Jacques, Paris, making his first portraits in oils, and especially in pastels, in the 1740s. His career was much in the shadow of the master of the French pastel portrait, Maurice Quentin de La Tour. In the Salon of 1750, Perronneau exhibited his pastel portrait of Maurice-Quentin de la Tour, but found to his dismay that La Tour was exhibiting his own self portrait, perhaps a malicious confrontation to demonstrate his superiority in the technique. He made his Salon debut with a pastel portrait in 1746 and received full membership in the Academie Royale de Peinture et de Sculpture in 1753, with portraits of fellow artist Jean-Baptiste Oudry and the sculptor Lambert-Sigisbert Adam, both now at the Louvre Museum. After 1779 he no longer exhibited in the Paris Salons, but the clientele in his portraits reveal how widely he travelled in the provinces of France, with a group of sitters connected with Orleans, but also in Toulouse, Bordeaux, Lyon. Farther afield he may have been in Turin and Rome, and in Spain, Hamburg, Poland, Russia and England. He died in Amsterdam virtually unknown, according to his biographers.
Charles van den Daele
painted A happy family in 1852
Peter Adolf Persson
painted View over the Landscape of Skane in 1889